![]() ![]() Traditionally, editors would use proxies in a popular intermediate video codec like Apple ProRes or Avid DNxHD. Together with the previously available raw compression functionality, this allows huge data size reductions (up to 20:1 or more) and facilitates a Raw proxy workflow for high resolution CinemaDNG production.Īiming to exploit the convergence of raw video editing and grading capabilities in popular post production suites such as DaVinci Resolve 12.5, CinemaDNG raw proxies enable a smoother raw editing experience while preserving the grading flexibility of the raw workflow. This means that with slimRAW v1.7 you can now get a 2K CinemaDNG from 4K CinemaDNG, 2.3K from 4.6K (very handy for those who want to save hard disc space and shoot with the Blackmagic URSA Mini), etc. Our good friends at slimRAW just released the latest update version 1.7 , which now adds the ability to downscale CinemaDNG raw to half its original resolution. Furthermore, the lossless compressed raw video output of slimRAW is exactly the same after decompression as the original uncompressed video. The best part is that this conversion doesn’t affect the image quality of the initial files. For those, yet not familiar with slimRAW it is basically a fast CinemaDNG compressor that converts uncompressed CinemaDNG raw video to lossless compressed CinemaDNG. You may recall not that long ago, we posted about slimRaw – a must have software for those shooting with just about any form of Raw whether it being a Blackmagic Design CinemaDNG Raw from a Micro Cinema camera or an URSA Mini to a Magic Lantern variant for the Canon 5D Mark III for example or even FS Raw from cameras like the Sony FS700/FS5/FS7 with the Odyssey7Q+, among many others (see a full list of supported cameras below). ![]()
0 Comments
Leave a Reply. |